Sixteen

“The Hill We Climb,” a performance poem by Amanda Gorman

https://www.cnbc.com/2021/01/20/amanda-gormans-inaugural-poem-the-hill-we-climb-full-text.html


If Only

... there is always light, if only we’re brave enough to see it.
                                                 -- Amanda Gordon

If only we could eliminate pessimism 
patriotism patriarchy power 

that perverts justice and breaks
morality empathy and thrives on

despair if only we could punish
these pusillanimous pricks self-

appointed arbiters of fate apex 
predators devouring the poor who

fill prisons with slaves stuff 
ballots with poison politics if 

only we could redraw the fucked up
districts and make them whole 

again if only we could learn to stop 
using terror to stop terror to stop 

waving whiteness as a flag to force 
everyone "other" to surrender if only 

our bodies were our bodies and not 
the new frontier waiting for manifest

destiny holy invasion if only we didn't
worship money if only the default 

greeting on the street was hello
I love you instead of die die die

Suggested soundtrack: the wind through an American flag.

Fifteen

Mexico
       -- James Taylor

Way down here you need a reason to move
Feel a fool running your stateside games
Lose your load, leave your mind behind Baby James

Oh, Mexico
It sounds so simple, I just got to go
The sun's so hot I forgot to go home
Guess I'll have to go now

Americano got the sleepy eye
But his body's still shaking like a live wire
Sleepy señorita with the eyes on fire

Oh, Mexico
It sounds so sweet with the sun sinking low
The moon's so bright like to light up the night
Make everything all right

Baby's hungry and the money's all gone
The folks back home don't want to talk on the phone
She gets a long letter, sends back a postcard
Times are hard

Oh, down in Mexico
I've never really been so I don't really know
Oh, Mexico
I guess I'll have to go
Oh, Mexico
I've never really been but I'd sure like to go
Oh, Mexico
I guess I'll have to go now

Talking 'bout in Mexico (Mexico)
In a honky tonk down in Mexico
Oh, Mexico
Mexico, Mexico
Oh, Mexico
Mexico, Mexico
Oh, Mexico
Mexico, Mexico

oh mexico

those first nights 
in the rented house
built into the barranca
at the top of 

a steep hill
a dead end
tecamachalco
mexico city

i tried to fall
asleep while 
the radio played 
"boogie nights" and

"you've got a friend"
imagining a thousand
wordless connections and
disconnections

"the future"
paused at the edge 
of my real life as
bone-white moonlight

poured over
the house above us
down the sheer yard wall
into my room

spilled over my bed 
my half formed 
body
slid into me with

each breath 
cold sharp 
wide
untranslatable

Suggested soundtrack: Pop radio from your 13th year.

Fourteen

Bay Leaves  
 --- Nikki Giovanni

I watched Mommy
Cook
Though I cooked
With Grandmother

With Grandmother I learned
To pluck chickens
Peel carrots
Turn chittlins inside out
Scrub pig feet

With Mommy I watched
leftovers for stew
Or vegetable soup
Great northern beans
Mixed collards turnips and mustard greens
Garlic cloves Bay Leaves
Very beautifully green
Stiff   so fresh
With just a pinch of salt
Not everything together
All the time but all the time
Keeping everything

I make my own
Frontier soup in a crock pot
I make my own ice cream with a pinch of salt
And everything else
With garlic
But fresh Bay Leaves
Are only for very special
Ox Tails

https://www.poetryfoundation.org/poetrymagazine/poems/159787/bay-leaves

I Watched Mommy Cook

in the Elmer Street kitchen, 
standing
at the gas stove, stirring 
a steaming pot

of grits, 
pulling crackling rib roasts 
from the oven, 
bent down 
to slip the broiler pan 
from underneath, 
flip sizzling lamb chops
with metal tongs, 

face glowing 
fine
with thin sweat,
black hair 
falling free 
from its clip 
to tickle 
her fair neck, tired 
smile. 

I thought 
every mother 
created 
four course meals
during the week, 
covered all four 
food groups,
satisfied her husband's 
eclectic taste,
European schedule,
his stern rule 
for pre-dinner 
silence, his
demand for obedience
at the table.

I thought every mother
bent
her intelligence,
curiosity, and
quick wit
into a brick house
filled with
a man's precious
things.

She taught me
to bake. At 8,
I made a cake, cherry
from a box, red
bits bright
as blood,
then the icing
whipped
from scratch,
thick butter
laced with boiled
sugar, that sat 
on our tongues like
sweet oily
paste.

Suggested soundtrack: The Talking Heads, “Burning Down the House”

Thirteen

Adam's Curse
        --- William Butler Yeats

We sat together at one summer’s end,
That beautiful mild woman, your close friend,   
And you and I, and talked of poetry.
I said, ‘A line will take us hours maybe;
Yet if it does not seem a moment’s thought,   
Our stitching and unstitching has been naught.   
Better go down upon your marrow-bones   
And scrub a kitchen pavement, or break stones   
Like an old pauper, in all kinds of weather;   
For to articulate sweet sounds together
Is to work harder than all these, and yet   
Be thought an idler by the noisy set
Of bankers, schoolmasters, and clergymen   
The martyrs call the world.’
                                          And thereupon
That beautiful mild woman for whose sake   
There’s many a one shall find out all heartache   
On finding that her voice is sweet and low   
Replied, ‘To be born woman is to know—
Although they do not talk of it at school—
That we must labour to be beautiful.’
I said, ‘It’s certain there is no fine thing   
Since Adam’s fall but needs much labouring.
There have been lovers who thought love should be   
So much compounded of high courtesy   
That they would sigh and quote with learned looks   
Precedents out of beautiful old books;   
Yet now it seems an idle trade enough.’

We sat grown quiet at the name of love;   
We saw the last embers of daylight die,   
And in the trembling blue-green of the sky   
A moon, worn as if it had been a shell   
Washed by time’s waters as they rose and fell   
About the stars and broke in days and years.

I had a thought for no one’s but your ears:   
That you were beautiful, and that I strove   
To love you in the old high way of love;
That it had all seemed happy, and yet we’d grown   
As weary-hearted as that hollow moon.

https://www.poetryfoundation.org/poems/43285/adams-curse

Dear W. B. --

For years I've heard the echoes of your speech,
thought of schoolmasters and clergymen bent
on denying sweet sounds, determined to put us
on our marrow-bones, to make us scrub our
poor remarks from their pavements, exiled 
from any academy or church. I hear you 
in that yellow moon, the crackle of daffodil
thrusting up from frozen beds, the creak 
of our maple against the mossing roof. 
Taste you in a swallow of flattening beer, flat acrid 
at the back of my throat.
                                      Now I've grown past 
the middle of my life, bones twisting, poetry holding
my coat and snickering, I still struggle to be good, to 
earn "beautiful" as I fling sweet sounds against these
invisible walls, to find the old highways of "love," 
but only end up tired and heavy-hearted, waiting 
in the dark for some glorious mystery,

your voice the finest sandpaper against my 
fragile skin, mansplaining in the growing gloom, 
pontificating outside my invisible prison. 
And the "mild" woman's voice as it rises to meet you
confesses the weight of your charge: that she
(and I) be "beautiful," working like garden statues
with blank eyes in the twilight, inspiring your
incisive words, and so destined to become yet
another echo of your ancient voice, captured
forever (or until we rot) in one of your dusty books.

Suggested soundtrack: The Pretenders, “Back on the Chain Gang”

Twelve

Barbie Doll
      -- Marge Piercy

This girlchild was born as usual 
and presented dolls that did pee-pee 
and miniature GE stoves and irons 
and wee lipsticks the color of cherry candy. 
Then in the magic of puberty, a classmate said: 
You have a great big nose and fat legs. 

She was healthy, tested intelligent, 
possessed strong arms and back, 
abundant sexual drive and manual dexterity. 
She went to and fro apologizing. 
Everyone saw a fat nose on thick legs. 

She was advised to play coy, 
exhorted to come on hearty, 
exercise, diet, smile and wheedle. 
Her good nature wore out 
like a fan belt. 
So she cut off her nose and her legs 
and offered them up. 

In the casket displayed on satin she lay 
with the undertaker's cosmetics painted on, 
a turned-up putty nose, 
dressed in a pink and white nightie. 
Doesn't she look pretty? everyone said. 
Consummation at last. 
To every woman a happy ending.

https://www.poemhunter.com/poem/barbie-doll/

To Every Woman

who craves that 
happy ending, 
good news: 

you can shoot
yourself up now
with a magic elixir

that will burn you 
down 
in no time

to a lovely 
size 0 --
suffocate 

your desire to eat 
more than a 
polite bite --

raise your 6-pack
from the un-
imaginable depths

of post-baby weight --
melt you to a
diamond shadow

of your formerly
"fat" self --
so that when you attend

your 20-year 
high school reunion 
you will shine like 

an anorexic star 
(black hole) 
in the ranks of 

former friends,
burn sharp as a 
bone knife

with your arms around
fleshy daughters,
grin with 

the manic gleam
of adrenaline 
and money,

bikini clad on 
expensive beaches,
immortalized and

nearly divine -- 
blaze forever
thin in

the electronic 
mausoleums 
of Facebook.

Suggested soundtrack: Ravel’s “Bolero”

Eleven

A Blessing
        -- James Wright

Just off the highway to Rochester, Minnesota,
Twilight bounds softly forth on the grass.
And the eyes of those two Indian ponies
Darken with kindness.
They have come gladly out of the willows
To welcome my friend and me.
We step over the barbed wire into the pasture
Where they have been grazing all day, alone.
They ripple tensely, they can hardly contain their happiness   
That we have come.
They bow shyly as wet swans. They love each other.
There is no loneliness like theirs.   
At home once more,
They begin munching the young tufts of spring in the darkness.   
I would like to hold the slenderer one in my arms,
For she has walked over to me   
And nuzzled my left hand.   
She is black and white,
Her mane falls wild on her forehead,
And the light breeze moves me to caress her long ear
That is delicate as the skin over a girl’s wrist.
Suddenly I realize
That if I stepped out of my body I would break
Into blossom.

https://www.poetryfoundation.org/poems/46481/a-blessing

If I Stepped Out of My Body

I might not break
into blossom

though I am waiting     now
for the tulip tree

outside this window
to burst free 

from its suffocating bark
and scream

petals pink as 
the meat 

inside a woman's 
bound body --

I hope I shatter instead
into mist

heady cumulous clouds
in air fresh 

as salt and
stitched

with starlings
insane

as spring

Suggested soundtrack: Walt Whitman’s Leaves of Grass, read by Samuel Jackson

Ten

Anthem
        -- Leonard Cohen

The birds they sang
At the break of day
Start again
I heard them say
Don't dwell on what has passed away
Or what is yet to be
Ah, the wars they will be fought again
The holy dove, she will be caught again
Bought and sold, and bought again
The dove is never free

Ring the bells that still can ring
Forget your perfect offering
There is a crack, a crack in everything
That's how the light gets in

We asked for signs
The signs were sent
The birth betrayed
The marriage spent
Yeah, and the widowhood
Of every government
Signs for all to see

I can't run no more
With that lawless crowd
While the killers in high places
Say their prayers out loud
But they've summoned, they've summoned up
A thundercloud
They're going to hear from me

Ring the bells that still can ring
Forget your perfect offering
There is a crack, a crack in everything
That's how the light gets in

You can add up the parts
But you won't have the sum
You can strike up the march
There is no drum
Every heart, every heart
To love will come
But like a refugee

Ring the bells that still can ring
Forget your perfect offering
There is a crack, a crack in everything
That's how the light gets in

Ring the bells that still can ring
Forget your perfect offering
There is a crack, a crack in everything
That's how the light gets in
That's how the light gets in
That's how the light gets in

https://youtu.be/6wRYjtvIYK0

How the Light Gets In

Slow, 
inexorable, 
it seeks 

the finest 
fractures in 
the smallest 

bones, 
and sinks in
there

like sunlight 
bleeding
through 

black snow,
down 
to the deepest

shadows,
stirs
the still heart

into
stuttering
again,

into 
love, first word
and last --

Suggested soundtrack: Leonard Cohen, of course. Anything by.

Nine

What Kind of Times Are These
        --- Adrienne Rich

There's a place between two stands of trees where the grass grows uphill
and the old revolutionary road breaks off into shadows
near a meeting-house abandoned by the persecuted
who disappeared into those shadows.

I've walked there picking mushrooms at the edge of dread, but don't be fooled
this isn't a Russian poem, this is not somewhere else but here,
our country moving closer to its own truth and dread,
its own ways of making people disappear.

I won't tell you where the place is, the dark mesh of the woods
meeting the unmarked strip of light—
ghost-ridden crossroads, leafmold paradise:
I know already who wants to buy it, sell it, make it disappear.

And I won't tell you where it is, so why do I tell you
anything? Because you still listen, because in times like these
to have you listen at all, it's necessary
to talk about trees.

https://www.poetryfoundation.org/poems/51092/what-kind-of-times-are-these

Talk about Trees

This morning Mom and I spoke for over an hour over
the Utah father who shot his five children, his mother-in-law,
his wife, leaving a note about her hellish "manipulation," how
he'd "asked for help" but no one listened, 

when what really happened was she filed for divorce, 
and his daughter told friends she was happy they were finally 
kicking the "jerk" out of the house, that she just wanted 
to feel safe,

and clearly, Mom said, he thought of his family as possessions, 
felt his control slipping away, interpreted their wish to live free
as a threat to his existence, and so wiped them off the planet, 
rewrote the narrative, cast his wife as the witch and himself 

the poor man facing the oven. And then we let the conversation 
drift as it always does back to our own traumatic house
and its twisted father, a gin-soaked fabulist who believed his own
lies -- stories of madness and female anarchy invented

to explain our rejection of his rule, his reputation as a man,
stories of wayward women hacking at the trunk of his
patriarchal tree with hysterical axes. Shit, we finished,
he died almost ten years ago now. Time to change

the subject. "I'll write my poem in response to the letter,"
I said. "The Utah guy's?" Mom clarified. "Yes." But then
I discovered that I didn't want to document (again) the sad
script of another white father shooting his house down

to publish homicidal fantasies of divine dispensation, 
especially not on Easter. Leave those words unread. 
Instead, let's end with the image of the old trees 
that still survive on our midwestern city street -- 

maples whose roots push on, tortured, persistent,
under the surface of our concrete and chemical lawns.

Suggested soundtrack: Buffalo Springfield, “For What It’s Worth”

Eight

"Tenuousness"
         -- Andrew Bird

Tenuous at best was all he had to say 
When pressed about the rest of it, the world that is
From proto-Sanskrit Minoans to Porto-centric Lisboans
Greek Cypriots and harbor sorts who hang around in ports a lot uh huh

Here's where things start getting weird
While chinless men will scratch their beards
And to their minds a sharpened axe 
Is brushed upon the Uralic syntaxes

Love of hate acts as an axis
Love of hate acts as an axis
First it wanes and then it waxes
So procreate and pay your taxes

Tenuousness, less seven comes to three
Them, you, us plus eleven 
Thank the heavens for their elasticity 
And as for those who live and die for astronomy

When coprophagia was writ
Know when to stand or when to sit
Can't stand to stand, can't stand to sit
And who would want to know this?
Click, click, click

Who wants to look upon this? 
Who wants to look upon this pray tell?
Who wants to look upon this?
Who wants to look upon this pray tell, pray tell?

Tenuousness, less seven comes to three
Them, you, us plus eleven comes just shy of infinity 
And as for those who live and die from numerology

https://youtu.be/I9rmwllw5q8

Coprophagia
             for Andrew Bird

I want to climb my way through 
         elevated words at once crunchy and dark,

multisyllabic latinate 
         homages to the Anglo-Saxon lexicon, 

scale mellifluous and strange up a 
         calligraphic ladder, 

scintillating, enigmatic, half euphoric, 
        epiphanic, breathing 

psychedelic diction, regurgitating 
         divine dictation, 

transcribing sacramental gibberish
         like an authentic citizen 

of ancient Babel, high and higher on her 
        impossible transcendental tower,

seeking with the best of them a peek
        at the Ultimate Power --

I want to fly like her, a legend in
        her own mind, and poise

at the top, one foot raised 
        in the second before

the fatal blow, flicker, click, linguistic
        deliquescence --

Required soundtrack: Andrew Bird’s Noble Beast.

Seven

"oh antic God"
      -- Lucille Clifton

oh antic God
return to me
my mother in her thirties   
leaned across the front porch   
the huge pillow of her breasts   
pressing against the rail
summoning me in for bed.

I am almost the dead woman’s age times two.

I can barely recall her song
the scent of her hands
though her wild hair scratches my dreams   
at night.   return to me, oh Lord of then   
and now, my mother’s calling,
her young voice humming my name.

https://www.poetryfoundation.org/poems/46670/oh-antic-god

Return to Me

Oh God of cold wars,
return to me my father 
before he died, 
in a body you didn't let me
remember;

recall his warm smell, the 
soft brush of chest 
against my cheek, his heart
pumping, his lungs filling, his strong arms 
around my back, pulling me 
in.

If he sang to me, I don't know.
And if he did, I can't hear how 
his voice sounded, or
the song he chose to sing.

So bring him back, oh God of 
mistakes, of radiation, of
bombs and deserts and clouds, 

if only 
in my dreams.

Give him the radiant flesh 
of an atomic angel so that
he can hold me in his 
electric arms
again.

Suggested soundtrack: James Taylor, “Fire and Rain”